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The Day After Tomorrow (2004) Ladda Ner Hela

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  • Originaltitel : The Day After Tomorrow
  • Film titel i ditt land : The Day After Tomorrow
  • År av film : 2004
  • Genrer av film : Action, Äventyr, Science Fiction, Thriller,
  • Status för film : Released
  • Släppdatum för film : 2004-05-26
  • Företag av film : Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema,
  • Länder film : United States of America,
  • Språk film : English, 日本語, Français, العربية, Español,
  • Varaktighet film : 124 Min
  • Genomsnittlig röst av film : 6.2
  • Youtube ID för filmen : Ze8Gshk53Y8
  • Översättning av film : TH,ID,FR,SV,DE,RU,TR,FI,ZH,CS,PT,HU,PL,NO,SR,HE,EL,UK,KO,PT,CA,RO,EN,IT,NL,DA,BG,JA,FR,ES,ZH,
  • Aktörer som film :Christopher Britton (Vorsteen), Tamlyn Tomita (Janet Tokada), Richard Zeman (Flight Director), Michel 'Gish' Abou-Samah (Saudi Translator), Mimi Kuzyk (Secretary of State), Emmy Rossum (Laura Chapman), Kenneth Welsh (Vice President Becker), Nassim Sharara (Saudi Delegate), Japanese Astronaut), Christian Tessier (Aaron), Adrian Lester (Simon), John Maclaren (Veteran Scientist), Jake Gyllenhaal (Sam Hall), Carl Alacchi (Venezuelan Delegate), Vitali Makarov (Yuri, Russell Yuen (Hideki, Kenneth Moskow (Bob), Dash Mihok (Jason Evans), Sasha Roiz (Parker), Nestor Serrano (Gomez), Glenn Plummer (Luther), Ian Holm (Terry Rapson), Jay O. Sanders (Frank Harris), Dennis Quaid (Jack Hall), Russian Astronaut), Austin Nichols (J.D.), Sela Ward (Dr. Lucy Hall), Perry King (President Blake), Arjay Smith (Brian Parks)

0319262

The Day After Tomorrow den korrekta film tillverkats av Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema, med användning av en beskrivning av filmen är "Vad skulle hända med världen om växthuseffekten och den globala uppvärmningen fortsatte i sådan utsträckning att de en dag resulterade i en världsomfattande katastrof som flertaliga orkaner, tromber, jordbävningar, tidvågor, översvämningar och början på en ny istid?". Filmen är producerad med utmärkt grafisk kvalitet, bäst ljudkvalitet och störst starring aktörer.

när jag först fick reda på den här filmen är jag inte helt säker i händelse i kanske din idé eller inte. Efter att ha sett det det finns att lämna en vilken gillar verkligen. Jag mycket rekommenderar den här filmen för personer som en av genre Action, Äventyr, Science Fiction, Thriller, . Har möjlighet att titta på den utan att spendera en krona bara klick en knapp och registrera, vad du kan titta tiotals senaste filmtitlar gratis.

... fullständig strömning The Day After Tomorrow i hög kvalitet 1080p ....




Supervising Sound Editor : Mark P. Stoeckinger, Transportation Co-Captain : Spiro Tsovras, Scenic Artist : Donald Beaulieu, Visual Effects Producer : Casey Conroy, Visual Effects : Kristen Branan, Producer : Mark Gordon, Art Direction : Tom Reta, Supervising Sound Editor : Larry Kemp, Location Manager : Lily Flaschner, Musician : Maria Newman, Camera Operator : Francois Archambault, Makeup Artist : Sharon Ilson, Rigging Grip : Richard Complaisance, Sound Designer : Randy Kelley, Camera Operator : Georgia Packard, Music Editor : Bob Beher, Digital Compositors : Sean Apple, Sculptor : Andrew Semple, Sound Mixer : David O. Daniel, First Assistant Sound Editor : Victor Ray Ennis, Roto Supervisor : Stephanie Taubert, Video Assist Operator : Julie Garceau, Visual Effects Supervisor : Jerry Spivack, Costume Supervisor : Kenn Smiley, Grip : Joost Clerinx, Conductor : Blake Neely, Post Production Supervisor : Jeffrey Harlacker, CG Supervisor : Hans Uhlig, Art Direction : Réal Proulx, Camera Operator : Peter Hutchison, Local Casting : Cate Praggastis, Author : Roland Emmerich, First Assistant Editor : Robert Berman, Dialogue Editor : James Matheny, Lighting Artist : David B. Menkes, Producer : Roland Emmerich, Lighting Technician : Stéphane Byl, Production Illustrator : Michael Meier, Camera Operator : Bill O'Drobinak, Visual Effects Producer : Petra Holtorf, Costume Coordinator : Lyse Pomerleau, Script Supervisor : Kim Berner, Visual Effects Supervisor : Colin Strause, 3D Supervisor : Rina Strause, Still Photographer : Kerry Hayes, Foley : Glenn T. Morgan, Production Accountant : Manon Lapointe, Chief Lighting Technician : Jean Courteau, Set Decoration : Paul Hotte, Music Editor : Emanuele Arnone, Transportation Coordinator : Daniel Matthews, Animation Supervisor : Danny Gordon Taylor, Set Decoration Buyer : Stacy Weddington, Makeup Effects : Sylvania Yau, Camera Operator : Gary L. Camp, Sound Recordist : Dennis Rogers, Leadman : David M. Milstien, Pre-Visualization Supervisor : Daniel Fort, Sequence Leads : Jason Iversen, Construction Coordinator : Bruce Di Valerio, Modeling : Yoshiya Yamada, Camera Loader : Charlie Newberry, Sculptor : Lucie Fournier, Finance : Linda Strause, 24 Frame Playback : Marie-Pierre Tétreault, Property Master : Denis Hamel, Technical Supervisor : Irfan Celik, Sound Recordist : Tim Gomillion, Art Direction : Michele Laliberte, Art Department Assistant : Una Martin, Casting : Randi Wells, Associate Producer : Kim H. Winther, Transportation Coordinator : Javier Gunther, Visual Effects Editor : Michael Cavanaugh, Set Medic : Jean Marchand, Construction Foreman : Eric Lafrance, Visual Effects Producer : Todd Isroelit, Pilot : Al Cerullo, Construction Coordinator : Michel Brochu, Sound Effects Editor : Michael Kamper, Stunt Coordinator : Charlie Brewer, Loader : Amelie Duceppe, Helicopter Camera : Steve Hertler, Digital Intermediate : Lorene Simpson, Makeup Artist : Elisabeth Fry, Executive Producer : Kelly Van Horn, Camera Technician : Steven J. Winslow, 3D Animator : Jeremy F. Butler, Property Master : Claire Alary, Production Manager : Daniel Auclair, Matchmove Supervisor : Alia Agha, Art Direction : Martin Gendron, Makeup Effects : Adrien Morot, Co-Producer : Thomas M. Hammel, Set Production Assistant : Mariana Acuña Acosta, Visual Effects Supervisor : Karen E. Goulekas, Electrician : Paul Postal, Digital Producer : Andra Bard, Art Department Coordinator : Nancy A. King, Set Decoration : Victor J. Zolfo, Visual Effects Art Director : Alexander Laurant, Unit Manager : Paul Boutin, Director : Roland Emmerich, Visual Effects Supervisor : Richard Britton, Steadicam Operator : Francois Archambault, Casting Assistant : Bryan Riley, Visual Effects Producer : Michael Meagher, Boom Operator : Timothy P. Salmon, Visual Effects Supervisor : Greg Anderson, Editor : David Brenner, Set Designer : Frédéric Amblard, Hairstylist : Sandy DeBlasio, CG Supervisor : Andrew Waisler, I/O Supervisor : Ryan Beadle, Storyboard : Timothy Burgard, Craft Service : Chris Winn, 3D Artist : Zack Judson, Assistant Property Master : Eric Bardin, Propmaker : Patrice Jacques, Line Producer : Tavin Marin Titus, First Assistant Camera : Michel Bernier, Associate Producer : Lawrence Inglee, Camera Operator : Alfonso Maiorana, Orchestrator : Frank Bennett, ADR Editor : Kerry Dean Williams, Construction Coordinator : Alain Brochu, Visual Effects Producer : Jody Echegaray, Supervising Art Director : Claude Paré, Costume Supervisor : Robert Q. Mathews, Production Coordinator : Danielle Boucher, Visual Effects Supervisor : Rocco Passionino, Driver : Chris Haynes, CG Supervisor : Dagan Potter, CG Supervisor : Sean Andrew Faden, Executive Producer : Ute Emmerich, Second Unit Cinematographer : Anna Foerster, Script Supervisor : Sophie Boyer, Post Production Assistant : Jeff Schweikart, Lighting Supervisor : Chris Wells, Construction Coordinator : Rejean Brochu, Visual Effects Producer : Raoul Bolognini, Sound Designer : Harry Cohen, Second Assistant Director : Erik Ajduk, Camera Operator : Eric Goethals, Visual Effects Supervisor : Remo Balcells, Set Designer : Steve Cooper, Key Hair Stylist : Janis Clark, Systems Administrators & Support : Joe Ardent, Makeup Effects : C.J. Goldman, Stunts : Marcello Bezina, Visual Effects Editor : Nicolas Anastassiou, Sound Designer : Ann Scibelli, Art Direction : Gerald Sullivan, ADR & Dubbing : Derek Casari, Sound Recordist : Jon S. Trebilcock, Sound Designer : Alan Rankin, Visual Effects Supervisor : Chris Watts, Visual Effects Supervisor : Greg Strause, Visual Effects Coordinator : Erica Headley, Sound Recordist : Chris Walmer, Set Designer : Karl J. Martin, Visual Effects Supervisor : Ian Hunter, Color Timer : Michael Eaves, Sound Re-Recording Mixer : Doug Hemphill, Costume Design : Renée April, Visual Effects Producer : Mike Chambers, Utility Stunts : Nick Brandon, Key Grip : Marc Andrus, Dolly Grip : Alain Masse, Visual Effects : Diane Macke, Author : Jeffrey Nachmanoff, Production Design : Barry Chusid, Utility Sound : Schavaria Reeves, Casting : Andrea Kenyon, Dialogue Editor : Daniel S. Irwin, Rigging Gaffer : Gilles Fortier, Sound Engineer : John Bires, Software Engineer : Chamberlain Fong, Negative Cutter : Gary Burritt, Director of Photography : Ueli Steiger, Steadicam Operator : Gary L. Camp, First Assistant Editor : Quincy Z. Gunderson, Set Dresser : Louis Dandonneau, Carpenter : Jane Kilkenny, CG Supervisor : David Prescott, Production Sound Mixer : Douglas J. Schulman, Visual Effects : Michael Leung, Rigging Gaffer : Frank Dorowsky, Special Effects Supervisor : Louis Craig, Location Manager : Kenneth E. Fix, Digital Effects Supervisor : Bryan Grill, Best Boy Electric : Edison Jackson, Assistant Art Director : Camille Parent, Original Music Composer : Thomas Wanker, Transportation Captain : John Bober, Set Designer : Vincent Gingras-Liberali, Techno Crane Operator : Richard Boucher, Unit Production Manager : Joe Dishner, Original Music Composer : Harald Kloser, Special Effects : Neil Corbould, Set Costumer : Arlynn Abseck, Assistant Production Coordinator : Guylaine Boucher, Creature Technical Director : Vijay Myneni, Stand In : Martin Brisebois, Executive Visual Effects Producer : Marc Sadeghi, Hairstylist : Réjean Forget, Still Photographer : Takashi Seida, Makeup Effects : George Tucci, Gaffer : Logan Leabo, Second Unit Cinematographer : Tom Yatsko, Key Makeup Artist : Kathryn Casault, Casting : April Webster, Executive In Charge Of Production : Vanessa R. Jordan, Set Designer : Stephanie Gilliam, Set Designer : Caroline Alder, Hairstylist : Kathryn Powell, Stunt Coordinator : Branko Racki, Painter : Gloria Ciraolo, Set Designer : Alex Touikan, First Assistant Director : Kim H. Winther, Casting Associate : Scott David, Location Manager : Céline Daignault, Third Assistant Director : Paul Drouin, Set Designer : Hugo Santiago, Executive Producer : Stephanie Germain, Unit Publicist : Joe Everett, Visual Effects Supervisor : Conny Fauser, Key Costumer : Valerie T. O'Brien
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